Best Historical Fiction: 9 books you must read
1. Memoirs of a Geisha by Arthur Golden
Arthur Golden was born in Chattanooga, Tennessee, and was educated at Harvard College, where he received a degree in art history, specializing in Japanese art. In 1980 he earned an M.A. in Japanese history from Columbia University, where he also learned Mandarin Chinese. Following a summer in Beijing University, he worked in Tokyo, and, after returning to the United States, earned an M.A. in English from Boston University. He resides in Brookline, Massachusetts, with his wife and two children.
2. Gone with the Wind by Margaret Mitchell
Gone with the Wind is a novel written by Margaret Mitchell, first published in 1936. The story is set in Clayton County, Georgia, and Atlanta during the American Civil War and Reconstruction era. It depicts the struggles of young Scarlett O’Hara, the daughter of a well-to-do plantation owner, who must use every means at her disposal to claw her way out of the poverty she f …more
3. The Pillars of the Earth by Ken Follett
A departure for the bestselling thriller writer, this historical epic—a twelfth-century tale of the building of a mighty Gothic cathedral—stunned readers and critics alike with its ambitious scope and gripping humanity
4. The Other Boleyn Girl by Philippa Gregory
When Mary Boleyn comes to court as an innocent girl of fourteen, she catches the eye of Henry VIII. Dazzled, Mary falls in love with both her golden prince and her growing role as unofficial queen. However, she soon realises just how much she is a pawn in her family’s ambitious plots as the king’s interest beg …more
5. The Red Tent by Anita Diamant
Her name is Dinah. In the Bible, her life is only hinted at in a brief and violent detour within the more familiar chapters of the Book of Genesis that are about her father, Jacob, and his dozen sons. Told in Dinah’s voice, this novel reveals the traditions and turmoils of ancient womanhood–the world of the red tent. It begins with the story of her mothers–Leah, Rachel, …more
6. A Tale of Two Cities by Charles Dickens
After eighteen years as a political prisoner in the Bastille, the ageing Doctor Manette is finally released and reunited with his daughter in England. There the lives of two very different men, Charles Darnay, an exiled French aristocrat, and Sydney Carton, a disreputable but brilliant English lawyer, become enmeshed through their love for Lucie Manette. From the tranquil roads of London, they are drawn against their will to the vengeful, bloodstained streets of Paris at the height of the Reign of Terror, and they soon fall under the lethal shadow of La Guillotine.
7. Girl with a Pearl Earring by Tracy Chevalier
With precisely 35 canvases to his credit, the Dutch painter Johannes Vermeer represents one of the great enigmas of 17th-century art. The meager facts of his biography have been gleaned from a handful of legal documents. Yet Vermeer’s extraordinary paintings of domestic life, with their subtle play of light and texture, have come to define the Dutch golden age. His portrait of the anonymous Girl with a Pearl Earring has exerted a particular fascination for centuries – and it is this magnetic painting that lies at the heart of Tracy Chevalier’s second novel of the same title.
8. The Name of the Rose by Umberto Eco
The year is 1327. Benedictines in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate. When his delicate mission is suddenly overshadowed by seven bizarre deaths, Brother William turns detective. His tools are the logic of Aristotle, the theology of Aquinas, the empirical insights of Roger Bacon—all sharpened to a glistening edge by wry humor and a ferocious curiosity. He collects evidence, deciphers secret symbols and coded manuscripts, and digs into the eerie labyrinth of the abbey, where “the most interesting things happen at night.”
9. The Scarlet Letter by Nathaniel Hawthorne
Like all of Hawthorne’s novels, “The Scarlet Letter” has but a slender plot and but few characters with an influence on the development of the story. Its great dramatic force depends entirely on the mental states of the actors and their relations to one another, —relations of conscience, — relations between wronged and wrongers. Its great burden is the weight of unacknowledged sin as seen in the remorse and cowardice and suffering of the Rev. Arthur Dimmesdale. Contrasted with his concealed agony is the constant confession, conveyed by the letter, which is forced upon Hester, and has a double effect, — a healthful one, working beneficently, and making her helpful and benevolent, tolerant and thoughtful ; and an unhealthful one, which by the great emphasis placed on her transgression, the keeping her forever under its ban and isolating her from her fellows, prepares her to break away from the long repression and lapse again into sin when she plans her flight. Roger Chillingworth is an embodiment of subtle and refined revenge. The most striking situation is perhaps “The Minister’s Vigil,” in chapter xii. The book, though corresponding in its tone and burden to some of the shorter stories, had a more startling and dramatic character, and a strangeness, which at once took hold of a larger public than any of those had attracted. Though imperfectly comprehended, and even misunderstood in some quarters, it was seen to have a new and unique quality; and Hawthorne’s reputation became national.